Focusing on Infinito (2011), a film that touches the intimacy of a mother and a son, André Santos and Marco Leão start a dialog about how to treat intimacy in cinema or how to bring it to the big screen. They will also explore the way that took them from an almost documental experience to fiction. In Pedro (2017) they reencounter this familiar relation years later, when the contact with the world had already leaved its traces.